Best chanel runway sets8/27/2023 Day looks were streamlined and simple, with jackets cropped at the waist, and fabrics stiffened to hold a constant shape. The key message of this show was that longerlength straight skirts and cropped wide-legged trousers – the same silhouette, in effect – are chic for spring. Lagerfeld is constantly engaged with the world around him – last year his shows made reference to French national identity, and to modern feminism – but in the end, it is fashion and fashion alone that he takes entirely seriously. That day, however, he told reporters that his inspiration was a Swedish ice hotel, rather than the melting of the polar ice caps. Lagerfeld has touched on the eco theme before, most notably in 2010 when he imported a giant iceberg as a centrepiece of a Paris catwalk. Photograph: Swan Gallet/WWD/Rex/Shutterstock A skirt was woven out of jute, and embroidery fashioned from tiny paillettes of wood.Īt the end of the show, the pavilion transformed into a giant dolls’ house full of models. This summer’s two-tone slingback sandals came not in leather, but in environmentally friendly cork. ![]() It was the perfect backdrop for Lagerfeld to apply the skills of his couture ateliers to making beautiful clothes out of natural, sustainable materials. The final prop was Cara Delevingne, who made a late arrival in the front row cuddling her husky puppy, Leo. The setting represented nature at its most chic. The set would be recycled immediately after the show, he said. ![]() The presence of the ethical fashion campaigner Livia Firth in the seat next to Anna Wintour was another final clue to the theme of this collection, which Lagerfeld said later was about fashion and natural resources. The natural idyll was a notable departure from Lagerfeld’s recent Chanel shows, which have been staged in a Paris street scene (September 2014), a cafe (March 2015), a casino (July 2015) and an airport (October 2015). Harris, “and I love how disparate those polarities are-so cool and great-and two women I want to be friends with and…want to be.Jackets were cropped at the waist. “It felt like watching your very cool aunt or an extremely sassy, confident teenager,” noted playwright Jeremy O. There were even T-shirts with the old-fashioned countdown to a movie permanently frozen at five seconds. ![]() Alongside those romantic black and white movie prints were overscale fluoro patterns printed on scarf silk that resembled graffiti but turned out on closer inspection to suggest neon-lit billboards advertising the latest epic by Coco or Chanel. Or an overscaled pale pink cardigan-traced with black piping that seemed hand-drawn-worn as a coat dress with a necklace that seemed assembled from cherished charms (and one of the metal linked C motif tiara headbands). This meant big-shouldered 1980s-looking Chanel suit jackets worn with petal pushers or stone-washed denim jeans or tiny miniskirts in candy pink or sky blue. The separates-based mix felt very Parisian girl cool-the sort of clothes that would appeal to hipster actresses Marion Cotillard and Anna Mouglalis, for instance, who were among the guests attending the in-person show, recognizable even behind the mandatory white masks that were distributed at the door.
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